The World of All Souls Read online
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Copyright © 2018 by Deborah Harkness
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Illustrations by Colleen Madden
All photos courtesy of the authors except:
Here, here, here, here, here, here, here, here, and here: Anna Baldwin.
Here: Andreas Cariasco; here: Christian Hinkle, Shutterstock; here: Daemons Domain. Here: © The Fitzwilliam Museum, Cambridge; here: © Victoria and Albert Museum, London.
The following photos accessed via Creative Commons, with the following attributions: here and here by DAVID ILIFF; here by tejvanphotos; here by Daviessimo; here by Motacilla; here by Alistair McMillan; here by David Brossard; here by Photoglob Zurich; here by Indian Joe; here by Skouame; here by Pline; here by Fabien 1309; here by Berkay 0652; here by Calips; here by Spooky; here by Jose L. Filpo; here by Keith Patrick Martin; here by Sage Ross; here by Canon of Medicine, Ibn Sina; here by ΛΦΠ; here credited to Samuel and Mary R. Bancroft Memorial, 1935.
ISBN 9780735220744 (hardcover)
ISBN 9780735220751 (ebook)
Welcome—or welcome back—into a world of daemons, humans, vampires, and witches, where a reluctant witch and a fifteen-hundred-year-old vampire discover the secrets left in a mysterious manuscript.
When I started writing the books in 2008, I had no idea that so many readers around the globe would take Diana, Matthew, and all the other Bishops and de Clermonts into their hearts and minds. Today I share the creatures in the All Souls trilogy with readers from Australia to Vietnam and Finland to Brazil. This book is for all of you.
My curious, engaged readers always have more questions than I can answer on social media, via email, or at a book signing. We’ve written this book with you in mind. We delved into my file cabinets and notebooks. We mined the stories for hidden nuggets of arcane lore and historical information. We’ve transformed some of what was in my imagination when I wrote the trilogy into something that could be shared.
As you explore the pages of this book, you will discover a treasure trove of information about the creatures and events of the trilogy. This companion volume gives you a chance to have a good rummage through my inspiration archive. Though some of your questions will be answered, we hope that they are replaced with new insights and connections. And as you follow the threads through history, legend, music, magic, and science, we hope that you feel a new sense of affinity for the characters and stories.
Enjoy your journey of discovery—or rediscovery—into the world of All Souls.
A Note from Deborah Harkness
In Conversation with Deborah Harkness
A Discovery of Witches Shadow of Night The Book of Life
Calendars Music of All Souls
The Creatures of All Souls
Daemons Humans Vampires Witches
The A–Z of All Souls Characters
The Congregation The Conventicle Knights of Lazarus Knights Templar Order of the Broome Order of St. Michael Order of the Defeated Dragon and the Drăculeşti
Oxford University Yale University
A Discovery of Witches Outtake
Oxford and Oxfordshire, England Scotland
Shadow of Night Outtake
France Spain Madison, New York, USA London, England Prague, Czechoslovakia Amsterdam, the Netherlands New Haven, Connecticut, USA New Orleans, Louisiana, USA Venice, Italy
Magic and Witchcraft: The World of Diana Bishop
The Goddess: Maiden, Mother, and Crone
Ghosts Elemental Magic The Craft Weaving Timewalking
The Evolution of Matthew de Clermont
500–999 1000–1500 1500–1700 1700–1800 1800–1899 1900–1999
Opus Magnum and Symbols of Alchemy
The Arbor Dianae The Green Lion
The Chemical Wedding
The Philosopher’s Stone
Interior Spaces of All Souls
The Art, Fashion, and Jewelry of All Souls
All Souls Recipes
Wine Tea Herbs and Medicinals
Gonçalves Manuscript 4890
All Souls Activities
Traveling in the All Souls World
Exercise in the All Souls World
The Literature of All Souls
History, Magic, Science and Religion
Plays and Prose Poetry and Verse
Translations for Words and Phrases in the All Souls Trilogy
Wider Reading and All Souls Resources
About the Author
It began with . . .
Portrait of the author hunting Easter eggs
In Conversation with Deborah Harkness
The Inspiration for All Souls
What drives your fascination with the past?
Ever since I was a small child, I loved history. My parents took us to historical sites when I was growing up outside of Philadelphia, and I loved dressing up in long skirts and imagining I lived in the eighteenth century. After my first trip to England to visit my mother’s family in the 1970s, I fell in love with fifteenth- and sixteenth-century history, pushing further back into the past.
I think those early experiences visiting historical places, and reading about them before and after, made history seem alive to me. I could imagine myself into colonial Williamsburg, or the Revolutionary War, or Warwick Castle, or Speke Hall. Once the past was a living, breathing place in my imagination, it never lost its fascination for me. The more I read, the more important it was that I know why people in the past did what they did. I’ve always been interested in what motivated people and how the particular conditions of their lives and experiences shaped those desires.
What triggered you to turn from your work as an academic historian to writing a fictional tale of a witch, a vampire, and a lost manuscript?
At the start of a family vacation in Puerto Vallarta, I walked through the airport and saw a big display of books about witches and vampires. I had just finished a book about the history of scientific inquiry in Elizabethan London and had been reading virtually nothing published after 1610 for years, so this move in to popular culture was something of a surprise to me. Looking at the jackets, I was struck with a couple of simple questions: If there really are witches and vampires, as these books suggested, what on earth do they do for a living? And why don’t I know any of them?
When I started writing the story, I really started by imagining a possible answer to those questions. I had spent six or eight weeks on it and had nine chapters completed before I ev